An excellent example of the way in which intervals of the harmonic series occur in music comes from the Prologue to Benjamin Britten’s Serenade for Tenor solo, Horn and Strings. Britten asked that the player use only natural harmonics, a simple enough task for the horn player who produces the overtones above a given fundamental by altering the vibrations of the lips. Britten exploits certain harmonics for their tonal effect in a most masterful way.
In bar 1 of the score we see the familiar interval of…
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